Yes, we go to the movies with the intention of getting great entertainment. We go alone or with friends and/or family. It can be a great date event. We consider the cost of going to the movies. I can hardly believe the cost. The movie itself is so expensive, at many theaters we must pay to park our cars, any popcorn or candy and a drink will burn through our wallets. But we go.
We settle into our seats with great expectations and wait for that great music that arrives with the Studio's logos. We have shut off our phones and are careful not to spill our drinks. Now the movie begins.
Uh oh, it's a stinker! What the hell happened? You want answers.
Well here's what happens. First let's assume it started as an option on a great spec script. The first thing the studio lawyers and deal makers do is to try to pay the original author as little as possible. The writer may receive a $2,500 or $5,000 option. Then they will sit in meetings with development executives whose job it is to find things wrong with4 the script. The writer will shake his/her head in disbelief at the changes that are now required. The rewrite is done and handed in. This triggers another payment, probably WGA minimum plus ten percent for the agent. Now the original author is thrown out of the mix. The Producer has a writer that they've used before, or is a friend, or he owes someone a favor. This is the next writer. They will get a bigger pay day but they won't have the same view of the script that the original creator did.
After a few more rewrites the Studio people are not happy so they hire 3, 4, 5 or more writers to fix what started out as a very good script.
Now they hire a director. The director wants lots of changes in the script.
Now they cast the main actors. These people get hired for many reasons. Many of those reasons are not very good. The best actors for this piece are already booked for two years, the second tier want to much money, the third tier gets hired.
The two main characters may hate each other so there goes the great chemistry that is needed. They also want changes to the script. Half way through the shoot it is discovered that one of the main actors is overdosing on drugs or drinking too much. All of this must be dealt with by the Producers, Agents, Managers, Studio Executives and Doctors.
These things I have mentioned are not rarities. They happen all the time. The truth is that we are very lucky when we get a chance to see a great film or even a good one.
Remember folks, this is a business and millions of dollars are at stake.
Sometimes the original writer is so good that they get to do all the rewriting and a wonderful director is hired and the stars are terrific. This gets the original writer offers of other work, or they get to pitch their other ideas and get a deal to get paid to write them. These writers can become highly sought after and very highly paid. It could very well be you! So keep the faith and keep on writing.
(Please note that www.amazon.com is currently selling "MIND YOUR BUSINESS: A Hollywood Literary Agent's Guide to Your Writing Career" for only $8.00. It usually sells for $25.00 so get it now)
Saturday, May 13, 2017
Saturday, February 11, 2017
QUESTIONS ON BECOMING A WRITER
For quite awhile I've been trying to figure out what most new writers are concerned about. There seem to be a few issues that come up quite often when I have a Q and A session at one of my Seminars, or things that come up repeatedly via Facebook writing groups. Many of these issues you should not even think about, much less spend time worrying about them or asking questions of other new writers.
One of these issues is whether or not you should attach actors and/or a director to your script. I've gone over this in a previous blog but I want to remind you that NO you should not even think about attaching actors. First of all you don't and can't know which actors are liked and which actors are hated. You don't know who has a drug or alcohol problem or if they still mean anything at the box office. If the actors you pine for are famous, great talents and star in films quite often, then you will never get to them. There agents and managers are the gatekeepers and they do keep those gates locked.
Remember that to become a working writer in Hollywood, whether via major studios or independents, all you need are a few wonderful scripts and a willingness to work well with others.
I also think you need to plan your writing career. Do you want to sell one script that is close to your heart? Do you want to have a full blown writing career in Los Angeles, with major studios? Do you want to direct your own films? Are you dying to get jobs that have you rewriting other writers or be hired to write the film adaptation of a book? There are a lot of choices to make.
Many of you now run as fast as you can to pay good money and get into writer's contests. The problems with this are many. Film contests don't get your film made, they don't make you famous, they are not considered important to major film makers. A couple of them may be a bit prestigious but they are only one line in your query letter. If your scripts are ready for contests then they should be ready to go out to agents and managers. That's where you need to spend your time.
Lastly I want to advise you dear people that giving your precious scripts to other new writers and expecting good notes is a big mistake. Your writer friends might be smart and nice but they don't know how to judge your material. They are only guessing.
Send me other questions you have and I'll try to answer them.
REMEMBER that my online course, "HOW TO BREAK INTO THE SCREENWRITING BUSINESS" is presented by the wonderful Screenwriters University. The course begins on February 16th and is limited to a small amount of people Sign up now at: www.screenwritersuniversity.com or via www.writersstore.com. If you have any questions please email me directly at: writerconsultant67@gmail.com.
As always I work to help you enjoy a successful writing career!!
One of these issues is whether or not you should attach actors and/or a director to your script. I've gone over this in a previous blog but I want to remind you that NO you should not even think about attaching actors. First of all you don't and can't know which actors are liked and which actors are hated. You don't know who has a drug or alcohol problem or if they still mean anything at the box office. If the actors you pine for are famous, great talents and star in films quite often, then you will never get to them. There agents and managers are the gatekeepers and they do keep those gates locked.
Remember that to become a working writer in Hollywood, whether via major studios or independents, all you need are a few wonderful scripts and a willingness to work well with others.
I also think you need to plan your writing career. Do you want to sell one script that is close to your heart? Do you want to have a full blown writing career in Los Angeles, with major studios? Do you want to direct your own films? Are you dying to get jobs that have you rewriting other writers or be hired to write the film adaptation of a book? There are a lot of choices to make.
Many of you now run as fast as you can to pay good money and get into writer's contests. The problems with this are many. Film contests don't get your film made, they don't make you famous, they are not considered important to major film makers. A couple of them may be a bit prestigious but they are only one line in your query letter. If your scripts are ready for contests then they should be ready to go out to agents and managers. That's where you need to spend your time.
Lastly I want to advise you dear people that giving your precious scripts to other new writers and expecting good notes is a big mistake. Your writer friends might be smart and nice but they don't know how to judge your material. They are only guessing.
Send me other questions you have and I'll try to answer them.
REMEMBER that my online course, "HOW TO BREAK INTO THE SCREENWRITING BUSINESS" is presented by the wonderful Screenwriters University. The course begins on February 16th and is limited to a small amount of people Sign up now at: www.screenwritersuniversity.com or via www.writersstore.com. If you have any questions please email me directly at: writerconsultant67@gmail.com.
As always I work to help you enjoy a successful writing career!!
Sunday, January 15, 2017
LET'S GET GOING
Since the first of the year I've been noticing a rather remarkable transition for many, many writers. I belong to quite a few writers groups on Facebook and have lots of wonderful friends on both Facebook and LinkedIn. There is now a slow but steady stream of optimism for your writing careers. I'm so delighted to see this. Prior to the beginning of the year, it appeared that everyone was so depressed and frightened by the forthcoming election outcome that no one seemed to be working on their projects.
Well, I'm thrilled to see that so many of you have climbed that mountain and are back to paying attention and working on your projects. I've started to hear from many of you and I'm so excited about working on your scripts or being able to advise you, etc.
President Obama talks about the "audacity of hope" and I believe in that. You must be strong and determined and willing to do the impossible to achieve your goals. Yes, I certainly hear a lot of complaints about how tough the entertainment business is and how hard it is to sell a script. Having once been an agent, I know the drill from both sides of the desk.
Remember that you have only one thing to be concerned with now. That is the quality of your writing. I have always found that really good writers are always found and pursued. They get agents, managers, deals, offers and that's just the beginning.
Once you have reached that stage, please avail yourself of my book to find out what the next steps are in your careers. It's the best 20 bucks you'll ever spend. I want to help you get ahead and to fulfill your dreams. I'd love to read your scripts and help you make them studio worthy.
Let's keep moving forward and keep a positive attitude. It has always stood me in good stead and I've been through the many wars of the business.
The book is "A LITERARY AGENT'S GUIDE TO YOUR WRITING CAREER" (www.amazon.com).
You can succeed if you do the work and don't overcomplicate your material. Make those characters interesting and loveable. Do not try and write something that no one has ever done. That's not what the buyers are looking for. They are looking for dedicated writers who've studied their craft. Make that you!!
Well, I'm thrilled to see that so many of you have climbed that mountain and are back to paying attention and working on your projects. I've started to hear from many of you and I'm so excited about working on your scripts or being able to advise you, etc.
President Obama talks about the "audacity of hope" and I believe in that. You must be strong and determined and willing to do the impossible to achieve your goals. Yes, I certainly hear a lot of complaints about how tough the entertainment business is and how hard it is to sell a script. Having once been an agent, I know the drill from both sides of the desk.
Remember that you have only one thing to be concerned with now. That is the quality of your writing. I have always found that really good writers are always found and pursued. They get agents, managers, deals, offers and that's just the beginning.
Once you have reached that stage, please avail yourself of my book to find out what the next steps are in your careers. It's the best 20 bucks you'll ever spend. I want to help you get ahead and to fulfill your dreams. I'd love to read your scripts and help you make them studio worthy.
Let's keep moving forward and keep a positive attitude. It has always stood me in good stead and I've been through the many wars of the business.
The book is "A LITERARY AGENT'S GUIDE TO YOUR WRITING CAREER" (www.amazon.com).
You can succeed if you do the work and don't overcomplicate your material. Make those characters interesting and loveable. Do not try and write something that no one has ever done. That's not what the buyers are looking for. They are looking for dedicated writers who've studied their craft. Make that you!!
Sunday, December 18, 2016
HAPPY HOLIDAYS
HAPPY HOLIDAYS!!!
To all you dear people who have been reading my posts for these past few years, I want to say that I feel very gratified for your readership. Like all writers, I torture myself before writing each new post. I wonder if I am being too honest and you will feel it is too brutal. I wonder if you will take to heart all or even some of the advice I give. I hope it has been helpful and illuminating to learn the truth about the screenwriting business. Sometimes people disagree or question my blogs. They don't think that what I say applies to them. It's a shame when that happens because I try very hard to give you the unvarnished truth and to help keep you excited about your writing career.
I shall continue to scribble my thoughts and even some of my stories with you for awhile longer. I feel you out there and wish you all well.
Hoping you all enjoy family and friends, good dinners and great company for the Holidays. Keep warm and don't forget to give of yourself to others.
All my best to you,
Michele
To all you dear people who have been reading my posts for these past few years, I want to say that I feel very gratified for your readership. Like all writers, I torture myself before writing each new post. I wonder if I am being too honest and you will feel it is too brutal. I wonder if you will take to heart all or even some of the advice I give. I hope it has been helpful and illuminating to learn the truth about the screenwriting business. Sometimes people disagree or question my blogs. They don't think that what I say applies to them. It's a shame when that happens because I try very hard to give you the unvarnished truth and to help keep you excited about your writing career.
I shall continue to scribble my thoughts and even some of my stories with you for awhile longer. I feel you out there and wish you all well.
Hoping you all enjoy family and friends, good dinners and great company for the Holidays. Keep warm and don't forget to give of yourself to others.
All my best to you,
Michele
Tuesday, November 1, 2016
WANTING A CAREER IN SHOW BUSINESS
The first question you must ask yourself is how much you want to be in the Entertainment business. To succeed in any arena of Hollywood you absolutely must want it more than anything else in the world.
This business will beat you to death and you will still want to be in it. It has ruined numerous marriages (including some of mine) and relationships. It has caused people to drink and do drugs. After all, it ain't easy being nice to people you can't stand, but you will have to do it. There will be years when you won't earn a dime, but you will have to keep doing it. Your years on the top of the ladder are finite. The saying goes that the only job that lasts in Hollywood is being an Agent. Everything and I mean everything else throws you out once you make a bad enemy, age out of the system, start relying on your talent or agent or luck to keep you on top.
There are important people in Hollywood that will eat you up and spit you out. They will use you and abuse you. Your agent will stop returning your calls. Your producer will fire you off of your own picture and hire someone else. You will simply grow cold and may never know why.
All this is to say that you really have to want this work more than everything in you life. You must be willing to move to Los Angeles, or New York. You must start before you are 35. You must learn your craft better then anyone else you know. If you are shy you better get over it. If you are always sure that you are right, you better get over it.
By now you are probably depressed as hell. Don't be. Remember it is still the greatest business in the world and there's only a small amount of people who make it big. Maybe you will be that person. Maybe you have the talent, foresight, and determination that it requires.
Hope springs eternal, however I hope you think long and hard about this. Then if you decide to jump in you might make a fabulous splash!
This business will beat you to death and you will still want to be in it. It has ruined numerous marriages (including some of mine) and relationships. It has caused people to drink and do drugs. After all, it ain't easy being nice to people you can't stand, but you will have to do it. There will be years when you won't earn a dime, but you will have to keep doing it. Your years on the top of the ladder are finite. The saying goes that the only job that lasts in Hollywood is being an Agent. Everything and I mean everything else throws you out once you make a bad enemy, age out of the system, start relying on your talent or agent or luck to keep you on top.
There are important people in Hollywood that will eat you up and spit you out. They will use you and abuse you. Your agent will stop returning your calls. Your producer will fire you off of your own picture and hire someone else. You will simply grow cold and may never know why.
All this is to say that you really have to want this work more than everything in you life. You must be willing to move to Los Angeles, or New York. You must start before you are 35. You must learn your craft better then anyone else you know. If you are shy you better get over it. If you are always sure that you are right, you better get over it.
By now you are probably depressed as hell. Don't be. Remember it is still the greatest business in the world and there's only a small amount of people who make it big. Maybe you will be that person. Maybe you have the talent, foresight, and determination that it requires.
Hope springs eternal, however I hope you think long and hard about this. Then if you decide to jump in you might make a fabulous splash!
Sunday, September 4, 2016
PRESENTING YOURSELF
Before you take one step forward in finding and having a writing career, you absolutely must know some basic but crucial information.
In my prior career as an agent, and in my current career as a writers consultant, I've seen so many people make so many mistakes in how they present themselves and their work.
There is a right and a wrong way to show who you are and how talented you are. I've even written a chapter on this in my book,
MIND YOUR BUSINESS: A Hollywood Literary Agent's Guide to Your Writing Career. The right and wrong way of entering a meeting, showing your material, responding to an email and letting people know who and what you are, are of paramount importance. Executives in Hollywood have no patience for someone who doesn't do the following things in a professional manner.
I'm not saying that you must wear a tuxedo to a meeting or have a leatherette cover bonded to your scripts. Far from it. But there are some reasonable rules you will have to follow to get ahead.
The number one rule is how to present yourself. Certainly you may wear jeans to a meeting. However, the jeans must be clean, as well as your shirt, shoes and socks. Your hair must be clean and your shirt should have a collar. You are not going to a Bar B-Q. You will want to be taken seriously. This portion applies to every type of meeting. It could be in a fabulous studio office, or a small diner or even if you are going to a seminar, pitch fest or screening. When I have a one-on-one conference with writers, I am sometimes appalled at they way people show up. Shorts and a T shirt are not acceptable.
Never, ever, ever be late. If anyone has to wait for you, your cache is gone. Prior to meetings, be sure you have the phone numbers with you. If some untoward event occurs, you must call and explain why you will be late and beg forgiveness.
Your scripts, treatments, etc., must be neat and clean. All scripts must have two (2) brads and a cover page with all your information on it. This includes the title of the project, your name, your address, email and phone number.
I know the above sounds simple and that you assume everyone does the right thing. You'd be amazed at how many people are late and sloppy. The moment they arrive, they have lost whatever they wanted to gain from that meeting.
Reminder: My course, HOW TO BREAK INTO THE SCREENWRITING BUSINESS, at Screenwriters University, is running again on October 6th. You may take this online course from anywhere in the world. I've fashioned my classes to help you avoid the multitude of mistakes new writers often make. I've presented many insights and information that will help you get an agent, sell your material and move your career forward.
Go to: www.screenwritersuniversity.com, to get more information and to sign up. This four (4) week course can save you years of frustration and confusion about the business of entertainment.
In my prior career as an agent, and in my current career as a writers consultant, I've seen so many people make so many mistakes in how they present themselves and their work.
There is a right and a wrong way to show who you are and how talented you are. I've even written a chapter on this in my book,
MIND YOUR BUSINESS: A Hollywood Literary Agent's Guide to Your Writing Career. The right and wrong way of entering a meeting, showing your material, responding to an email and letting people know who and what you are, are of paramount importance. Executives in Hollywood have no patience for someone who doesn't do the following things in a professional manner.
I'm not saying that you must wear a tuxedo to a meeting or have a leatherette cover bonded to your scripts. Far from it. But there are some reasonable rules you will have to follow to get ahead.
The number one rule is how to present yourself. Certainly you may wear jeans to a meeting. However, the jeans must be clean, as well as your shirt, shoes and socks. Your hair must be clean and your shirt should have a collar. You are not going to a Bar B-Q. You will want to be taken seriously. This portion applies to every type of meeting. It could be in a fabulous studio office, or a small diner or even if you are going to a seminar, pitch fest or screening. When I have a one-on-one conference with writers, I am sometimes appalled at they way people show up. Shorts and a T shirt are not acceptable.
Never, ever, ever be late. If anyone has to wait for you, your cache is gone. Prior to meetings, be sure you have the phone numbers with you. If some untoward event occurs, you must call and explain why you will be late and beg forgiveness.
Your scripts, treatments, etc., must be neat and clean. All scripts must have two (2) brads and a cover page with all your information on it. This includes the title of the project, your name, your address, email and phone number.
I know the above sounds simple and that you assume everyone does the right thing. You'd be amazed at how many people are late and sloppy. The moment they arrive, they have lost whatever they wanted to gain from that meeting.
Reminder: My course, HOW TO BREAK INTO THE SCREENWRITING BUSINESS, at Screenwriters University, is running again on October 6th. You may take this online course from anywhere in the world. I've fashioned my classes to help you avoid the multitude of mistakes new writers often make. I've presented many insights and information that will help you get an agent, sell your material and move your career forward.
Go to: www.screenwritersuniversity.com, to get more information and to sign up. This four (4) week course can save you years of frustration and confusion about the business of entertainment.
Tuesday, August 2, 2016
HOW TO BREAK INTO THE SCREENWRITING BUSINESS
Okay everyone, this is you chance to really learn how to get into the business of selling screenplays, writing for hire and moving your careers forward.
My newest course via Screenwriters University (titled above) will begin on August 18th. You will need to sign up now since places are limited. The course is only 4 lessons and it is packed with insider information on how you must proceed to success. I will personally be available to all students for questions and advice, during the course.
Since the course is 4 weeks instead of 6 weeks it is at a reduced fee.
My book: MIND YOUR BUSINESS: A Hollywood Literary Agent's Guide to Your Writing Career
is required reading for the course. You may purchase it online via The Writers Store, Amazon.com, or through me (at a reduced rate) and I will be happy to sign it. This also should be done in advance so that you will have it on time.
Check with me at: michelewallerstein67@gmail.com to purchase the book for $14.95 + $2.00 for shipping.
Sign up for the course and get more info at: www.screenwritersuniversity.com.
Let me know if you have any questions!!!
I designed this course to help you get ahead faster and more smoothly. I wanted to share my years of agenting with you so that you know how the system really works.
Let's go!!!!
Tuesday, June 28, 2016
Television Writing
What do you really know about television writing? I've noticed that people have a huge imagination about how to get into TV writing. I've also seen people in Hollywood speak at seminars, pitch fests, etc. and give pretty bad advice about this.
I am constantly asked by new writers how they should sell their pilots. New writers also expect to write for TV series while living outside of Los Angeles. WHAT ARE YOU THINKING?????
The people that tell you that either of the above are fine and that you can sell your new series pilot ideas in Hollywood are out and out wrong.
If you want to write for television series or even for movies and mini-series for television you absolutely must live in Los Angeles. It won't even work if you live in Sacramento, San Francisco or Fresno. You have to be here! This is where your office would be. This is where all of your meetings will occur. This is where you will need to meet, pitch to and learn from television professionals. They need to know who you are. They need to know you can come to a last minute meeting. They need to know if you might be one of those people who are perpetually late. They need to know that you can deliver on time and with quality work.
The ammunition you will need is 3-6 spec TV scripts. They must all be either comedies, drama.
family or sci-fi shows. Take the writing classes in Los Angeles, because this is where the teachers are more likely to know what they are talking about.
Television is a fabulous medium. It's constantly in need of fresh ideas, new writers and new episodes to be written quickly. There's plenty of room for you if you are really good, can think on your feet and love the business.
If you want to know more, please send me your questions or set up a conference call with me.
GO FOR IT!!!
I have a new class starting on August 18th, via the Screenwriters University, titled:
"HOW TO BREAK INTO THE SCREENWRITING BUSINESS".
I am constantly asked by new writers how they should sell their pilots. New writers also expect to write for TV series while living outside of Los Angeles. WHAT ARE YOU THINKING?????
The people that tell you that either of the above are fine and that you can sell your new series pilot ideas in Hollywood are out and out wrong.
If you want to write for television series or even for movies and mini-series for television you absolutely must live in Los Angeles. It won't even work if you live in Sacramento, San Francisco or Fresno. You have to be here! This is where your office would be. This is where all of your meetings will occur. This is where you will need to meet, pitch to and learn from television professionals. They need to know who you are. They need to know you can come to a last minute meeting. They need to know if you might be one of those people who are perpetually late. They need to know that you can deliver on time and with quality work.
The ammunition you will need is 3-6 spec TV scripts. They must all be either comedies, drama.
family or sci-fi shows. Take the writing classes in Los Angeles, because this is where the teachers are more likely to know what they are talking about.
Television is a fabulous medium. It's constantly in need of fresh ideas, new writers and new episodes to be written quickly. There's plenty of room for you if you are really good, can think on your feet and love the business.
If you want to know more, please send me your questions or set up a conference call with me.
GO FOR IT!!!
I have a new class starting on August 18th, via the Screenwriters University, titled:
"HOW TO BREAK INTO THE SCREENWRITING BUSINESS".
Thursday, May 12, 2016
Wednesday, April 20, 2016
REACHING YOUR GOALS
Here's a question for you......What are your career goals insofar as your writing is concerned???
Sounds innocuous enough, but that question holds your entire future. I have found that most people live their lives in a rather willy-nilly manner. They believe in fate or that their futures are not in their own hands. As far as I'm concerned, that's a lot of crap. My dear friends you must become the masters of your own fates. You can't just sit back and complain that life is hard. It's damn hard for everyone. Everyone has an awful family or didn't get a great education, or didn't come from a family with big money. Too bad. Nothing was ever handed to me either. I've worked my ass off for everything I've accomplished and every penny I've earned. Even when I divorced my second husband, (the lawyer with money), I walked away with the clothes on my back. No I didn't take any alimony, I moved out and left him in our home. It was all very simple for me. I wanted out!
With all that said, you now know that I'm a self-made gal. I didn't get to go to college. After high school, my mother was very ill and my father had left when I was 8 years old. My mom passed away when I was nineteen. There was no one to turn to for help. I pulled myself up, dried my eyes and found the only job that I was able to get. I was a messenger in a large company. That could have been the end of my story. But, I have always been a daydreamer. I used to play "office" when I was a little girl. I loved movies with Joan Crawford being a tough business woman. That was the image that stayed in my head.
My only hobby was reading. It was also the only escape I had for a very difficult life. Little did I know that between Joan Crawford and my self education I was moving toward a life that I didn't even know existed. When I needed a job, a friend referred me to a secretarial job at a theatrical agency. I jumped at the chance to learn about the entertainment business.
As you know, I became a literary agent and loved my career for 25 years. After all those years I decided to work as a script and novel consultant. So I did just that. My day dreams became my reality. I worked hard and I worked long hours. Every minute was thrilling. I became a very well respected and successful woman.
Basically, that's my story. It should also be yours. Figure out what you want more than anything else then work your butt off to get there. No excuses. If you have to take night classes on online courses on writing, so be it. If you have to move to Los Angeles, pack your bags and do it. If you have to write 5 comedy scripts to find out you are better at action/adventure, that's fine. Just set your goal and move forward like a shark in the water. Don't let people or setbacks stop you. Stay the course.
You've only got one life. Live it well.
Michele
Note: My online course: "MOVING YOUR WRITING CAREER FORWARD" is now being offered via the Screenwriters University. The first session begins on May 26th. Sign up at: www.screenwritersuniversity.com
Sounds innocuous enough, but that question holds your entire future. I have found that most people live their lives in a rather willy-nilly manner. They believe in fate or that their futures are not in their own hands. As far as I'm concerned, that's a lot of crap. My dear friends you must become the masters of your own fates. You can't just sit back and complain that life is hard. It's damn hard for everyone. Everyone has an awful family or didn't get a great education, or didn't come from a family with big money. Too bad. Nothing was ever handed to me either. I've worked my ass off for everything I've accomplished and every penny I've earned. Even when I divorced my second husband, (the lawyer with money), I walked away with the clothes on my back. No I didn't take any alimony, I moved out and left him in our home. It was all very simple for me. I wanted out!
With all that said, you now know that I'm a self-made gal. I didn't get to go to college. After high school, my mother was very ill and my father had left when I was 8 years old. My mom passed away when I was nineteen. There was no one to turn to for help. I pulled myself up, dried my eyes and found the only job that I was able to get. I was a messenger in a large company. That could have been the end of my story. But, I have always been a daydreamer. I used to play "office" when I was a little girl. I loved movies with Joan Crawford being a tough business woman. That was the image that stayed in my head.
My only hobby was reading. It was also the only escape I had for a very difficult life. Little did I know that between Joan Crawford and my self education I was moving toward a life that I didn't even know existed. When I needed a job, a friend referred me to a secretarial job at a theatrical agency. I jumped at the chance to learn about the entertainment business.
As you know, I became a literary agent and loved my career for 25 years. After all those years I decided to work as a script and novel consultant. So I did just that. My day dreams became my reality. I worked hard and I worked long hours. Every minute was thrilling. I became a very well respected and successful woman.
Basically, that's my story. It should also be yours. Figure out what you want more than anything else then work your butt off to get there. No excuses. If you have to take night classes on online courses on writing, so be it. If you have to move to Los Angeles, pack your bags and do it. If you have to write 5 comedy scripts to find out you are better at action/adventure, that's fine. Just set your goal and move forward like a shark in the water. Don't let people or setbacks stop you. Stay the course.
You've only got one life. Live it well.
Michele
Note: My online course: "MOVING YOUR WRITING CAREER FORWARD" is now being offered via the Screenwriters University. The first session begins on May 26th. Sign up at: www.screenwritersuniversity.com
Tuesday, February 2, 2016
Need Help???
Good Afternoon:
Are you wondering anything about your writing? Here's some help for you.
If you want to sell your screenplay or be a professional writer of any ilk, you absolutely must take advantage of the myriad of opportunities that are offered to you. Most of them are easy and some of them are even free.
Go to any book store and you should find plenty of excellent books for writers, including mine titled:
"MIND YOU BUSINESS: A Hollywood Literary Agent's Guide to Your Writing Career". Remember that for 20+ years I was a writer's agent in Beverly Hills, before becoming a writer's consultant (also known as a script doctor). In the off chance that your local book store or library doesn't carry a good supply of these books, simply ask professional consultants for their advice on what to buy on Amazon. You can find loads of consultants through Facebook, LinkedIn, Twitter, Script Magazine, etc. Many of us will be happy to give you advice, answer questions, and refer you to the "right" books to read.
I never understand why people don't reach out more than they do. I'm surprised that I don't receive more questions on my various sites (including this one). I'm on Facebook, LinkedIn, Twitter, Stage 32, and I've written about 18 articles you will find on Script Magazine. Don't forget to check my web site at: www.michelewallerstein110@vpweb.com. Lots of info there and ways to reach me. Why aren't you communicating with me......don't you have any questions??? I'm right here and happy to help. I've always loved my work with writers.
If you've completed a script or two you must use the services of a professional consultant. After 20+ years as a literary agent in Beverly Hills and 10 years as a consultant, I can improve your work and improve your chances of success. You can't do it alone.
Michele
Are you wondering anything about your writing? Here's some help for you.
If you want to sell your screenplay or be a professional writer of any ilk, you absolutely must take advantage of the myriad of opportunities that are offered to you. Most of them are easy and some of them are even free.
Go to any book store and you should find plenty of excellent books for writers, including mine titled:
"MIND YOU BUSINESS: A Hollywood Literary Agent's Guide to Your Writing Career". Remember that for 20+ years I was a writer's agent in Beverly Hills, before becoming a writer's consultant (also known as a script doctor). In the off chance that your local book store or library doesn't carry a good supply of these books, simply ask professional consultants for their advice on what to buy on Amazon. You can find loads of consultants through Facebook, LinkedIn, Twitter, Script Magazine, etc. Many of us will be happy to give you advice, answer questions, and refer you to the "right" books to read.
I never understand why people don't reach out more than they do. I'm surprised that I don't receive more questions on my various sites (including this one). I'm on Facebook, LinkedIn, Twitter, Stage 32, and I've written about 18 articles you will find on Script Magazine. Don't forget to check my web site at: www.michelewallerstein110@vpweb.com. Lots of info there and ways to reach me. Why aren't you communicating with me......don't you have any questions??? I'm right here and happy to help. I've always loved my work with writers.
If you've completed a script or two you must use the services of a professional consultant. After 20+ years as a literary agent in Beverly Hills and 10 years as a consultant, I can improve your work and improve your chances of success. You can't do it alone.
Michele
Tuesday, December 22, 2015
HAPPY HOLIDAYS
Oh my goodness, another holiday season and another year is looming ahead. Naturally we must take a good look back on 2015 and an even better look forward to 2016.
What did you accomplish in your writing life? Have you completed any of those scripts that you started? Did you take that writing class? Did you attend any film festivals, writing pitch fests, special speakers programs? If you are interested in a writing career these things are crucial to success. If not now, when?
Time is passing so quickly for all of us. You have a dream and you want to follow it. Then find the way. Above all, you must keep writing. If you live outside of Los Angeles it is very important to find a good, bona fide writing consultant to review and advise you on your screenwriting.
I hope you will renew your decision to move forward and redouble your efforts. Get up earlier in the morning to give yourself more time to write. Hire a baby sitter and go to a library or a park to write. The point is to find a way to accomplish your goals.
I wish you all a wonderful Holiday Season and a happy and healthy and productive New Year!!
Let me know how you are doing and send me any questions you may have.
Best,
Michele
What did you accomplish in your writing life? Have you completed any of those scripts that you started? Did you take that writing class? Did you attend any film festivals, writing pitch fests, special speakers programs? If you are interested in a writing career these things are crucial to success. If not now, when?
Time is passing so quickly for all of us. You have a dream and you want to follow it. Then find the way. Above all, you must keep writing. If you live outside of Los Angeles it is very important to find a good, bona fide writing consultant to review and advise you on your screenwriting.
I hope you will renew your decision to move forward and redouble your efforts. Get up earlier in the morning to give yourself more time to write. Hire a baby sitter and go to a library or a park to write. The point is to find a way to accomplish your goals.
I wish you all a wonderful Holiday Season and a happy and healthy and productive New Year!!
Let me know how you are doing and send me any questions you may have.
Best,
Michele
Thursday, October 1, 2015
My Best Advice
You're thinking seriously about trying for a screenwriting career. Good or bad idea? How do you get started? Have you already missed that bus? From someone who has spent about a million years in the screenwriting business I have lots of answers for you. I do these little "advice" articles occasionally because I know that there are new readers out there also sometimes people forget or discount some of the advice they've heard in the past.
There are two roads to being a screenwriter for motion pictures. You can simply try to write a script that someone will buy or you can go for the long haul and try for a real writing career. If you are over the age of 40 it will be best to try to sell a script or two. If you are younger you have a better chance of having a writing career.
To sell a script you can live anywhere. For a real career, you must live in the greater Los Angeles area. That means you can drive to Beverly Hills, the Valley or Hollywood within one hour.
Don't kid yourself......this is a real rule. No good agent will sign a new writer who lives outside the area. You can't maintain close relationships, get to sudden meetings in time, meet other pros and turn your whole social life into the world of movies, if you don't live here.
Both types of careers require the same amount of work prior to getting any kind of a deal. The requirements are:
1. Take a couple of screenwriting classes.
2. Buy and read as many screenwriting books as possible. Go to the web and find fabulous books written by bona fide show biz people.
3. Learn how to write outlines, treatments and complete screenplays.
4. Write at least four full length scripts. Throw the first one in the trash.
5. Hire a script consultant for your third script.
6. Listen to the consultant, rewrite your script using their notes, send the rewrite back to them and then listen to their notes and do it all again.
7. Be prepared to work your ass off. Rewrite, rewrite, rewrite.
8. Go to panel discussions and speaker's events for writers. Make friends there and follow up with them.
9. Send "Thank You" notes to all the speakers.
10.Read my book: "Mind Your Business" for all the next steps.
11. Never be late, always have new story ideas, follow-up with everyone, call people you don't know.
12.Some of your scripts won't work. Just move on to the next one.
13.Learn to write fast. You can lose a good career by being too slow.
14.Never misspell anything.
15. Learn to write interesting and memorable characters.
16. Call on me when you need a good consultant who knows what she's doing.
Now......go do it!! Have some fun along the way. It's a great and fulfilling business.
There are two roads to being a screenwriter for motion pictures. You can simply try to write a script that someone will buy or you can go for the long haul and try for a real writing career. If you are over the age of 40 it will be best to try to sell a script or two. If you are younger you have a better chance of having a writing career.
To sell a script you can live anywhere. For a real career, you must live in the greater Los Angeles area. That means you can drive to Beverly Hills, the Valley or Hollywood within one hour.
Don't kid yourself......this is a real rule. No good agent will sign a new writer who lives outside the area. You can't maintain close relationships, get to sudden meetings in time, meet other pros and turn your whole social life into the world of movies, if you don't live here.
Both types of careers require the same amount of work prior to getting any kind of a deal. The requirements are:
1. Take a couple of screenwriting classes.
2. Buy and read as many screenwriting books as possible. Go to the web and find fabulous books written by bona fide show biz people.
3. Learn how to write outlines, treatments and complete screenplays.
4. Write at least four full length scripts. Throw the first one in the trash.
5. Hire a script consultant for your third script.
6. Listen to the consultant, rewrite your script using their notes, send the rewrite back to them and then listen to their notes and do it all again.
7. Be prepared to work your ass off. Rewrite, rewrite, rewrite.
8. Go to panel discussions and speaker's events for writers. Make friends there and follow up with them.
9. Send "Thank You" notes to all the speakers.
10.Read my book: "Mind Your Business" for all the next steps.
11. Never be late, always have new story ideas, follow-up with everyone, call people you don't know.
12.Some of your scripts won't work. Just move on to the next one.
13.Learn to write fast. You can lose a good career by being too slow.
14.Never misspell anything.
15. Learn to write interesting and memorable characters.
16. Call on me when you need a good consultant who knows what she's doing.
Now......go do it!! Have some fun along the way. It's a great and fulfilling business.
Thursday, August 13, 2015
YOUR WRITING CAREER PROGRESS
For this month's Blog I'd like to ask YOU some questions and I hope many of you will reply.
These questions will help you move forward in your career. They will give you something positive to think about, mull over, and perhaps discuss with people who can help you.
I want to know what you are doing for yourself. So here goes:
1. How many completed scripts have you written?
2. Exactly what books have you read on writing?
3. Have you gone to any professional seminars on writing? If so, what were they?
4. Have you begun to search for an agent or manager? If so, how have you proceeded?
5. Have you attended any pitch fests? If so, how did you follow up with the people you met?
6. What are you doing to improve your writing skills?
7. Have you used writing consultants? If so, did this help your writing?
8. How are you reaching out to the Hollywood community?
9. Are all of your scripts in the same genre? If not, what genres are you writing?
10. Have you followed up with any people in Hollywood with "Thank you" notes?
I would be thrilled if you would answer any or all of the above. I am also here to answer any questions you may have and I would be happy to consult on your projects.
Please respond to either the comments section below, or to my personal email at:
writerconsultant67@gmail.com.
Don't forget to read my book: "Mind Your Business: A Hollywood Literary Agent's Advice On Your Writing Career".
These questions will help you move forward in your career. They will give you something positive to think about, mull over, and perhaps discuss with people who can help you.
I want to know what you are doing for yourself. So here goes:
1. How many completed scripts have you written?
2. Exactly what books have you read on writing?
3. Have you gone to any professional seminars on writing? If so, what were they?
4. Have you begun to search for an agent or manager? If so, how have you proceeded?
5. Have you attended any pitch fests? If so, how did you follow up with the people you met?
6. What are you doing to improve your writing skills?
7. Have you used writing consultants? If so, did this help your writing?
8. How are you reaching out to the Hollywood community?
9. Are all of your scripts in the same genre? If not, what genres are you writing?
10. Have you followed up with any people in Hollywood with "Thank you" notes?
I would be thrilled if you would answer any or all of the above. I am also here to answer any questions you may have and I would be happy to consult on your projects.
Please respond to either the comments section below, or to my personal email at:
writerconsultant67@gmail.com.
Don't forget to read my book: "Mind Your Business: A Hollywood Literary Agent's Advice On Your Writing Career".
Sunday, June 28, 2015
ASKING THE RIGHT PEOPLE
Who are you asking for advice and information about your writing and your writing career?
Sounds like an innocent question, but it is of quintessential importance. I'm a member of Facebook, Linked In (various writers groups therein), Stage 32 and Twitter. I read all sorts of questions from writers who will be receiving answers from people who have no idea what they are talking about!
It galls me the completely wrong info that you are getting. Someone who is in a writing group can't tell you what agents really like or what they do or why they do things. They only surmise and/or have heard gossip from others who have no real knowledge.
There are many professionals who have great backgrounds in filmaking and the Hollywood system. The people most available are script consultants and we are the most willing to help you. You must vet anyone you go to. Make sure they were really pros in the business before you go to them.
If it's a short question or two, they will probably answer via email. If you need a bit of time to discuss your way forward in your career choices you may have to pay a bit. It is well worth it to get the right advice and not waste years listening to bad advice.
We consultants are all over the Internet and you can Google us for any information you may need.
Wishing you all well.
Read: "MIND YOUR BUSINESS: A Hollywood Literary Agent's Guide to Your Writing Career".
Sounds like an innocent question, but it is of quintessential importance. I'm a member of Facebook, Linked In (various writers groups therein), Stage 32 and Twitter. I read all sorts of questions from writers who will be receiving answers from people who have no idea what they are talking about!
It galls me the completely wrong info that you are getting. Someone who is in a writing group can't tell you what agents really like or what they do or why they do things. They only surmise and/or have heard gossip from others who have no real knowledge.
There are many professionals who have great backgrounds in filmaking and the Hollywood system. The people most available are script consultants and we are the most willing to help you. You must vet anyone you go to. Make sure they were really pros in the business before you go to them.
If it's a short question or two, they will probably answer via email. If you need a bit of time to discuss your way forward in your career choices you may have to pay a bit. It is well worth it to get the right advice and not waste years listening to bad advice.
We consultants are all over the Internet and you can Google us for any information you may need.
Wishing you all well.
Read: "MIND YOUR BUSINESS: A Hollywood Literary Agent's Guide to Your Writing Career".
Tuesday, May 19, 2015
PITCHING TO AGENTS & PRODUCERS
www.michelewallerstein110.vpweb.com
When a writer needs to pitch their
project most of them shrink back in horror at the prospect. It often feels too much like a performance
and performance anxiety immediately rears its ugly head. Yes, it is a necessary evil and writers must
learn to do it and do it well. The good
news is that you can learn how to do it and with practice you can do it well.
Once you know how to do it, you might even find it fun and exhilarating. After all, you are telling your stories and
as a writer you are a storyteller.
There are different kinds of pitching
that you will run into. We’ll discuss
the differences between pitching to your own agent, pitching to try to get an
agent to sign you and pitching to a producer.
All three are quite different in style and nuance. Certainly the basics are the same. You have a limited amount of time to explain
an entire movie, describe your characters and excite your audience. It’s an important aspect of your working life
and no one else can do it for you.
PITCHING TO AN AGENT:
Upon first meeting an agent, at a pitch fest, you should try to sell
yourself more than your project. Agents
are not buyers. They can not finance
your movies, but they are the doors to those buyers that you will need. Your best bet is to project an image of
self-confidence along with your knowledge as a writer and your love of the
work. Of course they want to hear your
ideas and if you can tell them an interesting story that is a tried and true
genre, you will be on the right track.
Agents want to know that you are a good writer, that you are prolific,
and that they can live with you. Being
overly aggressive will turn them off, as will being too shy. They want to hear someone who believes in
themselves and their work. They also
want to know that you can listen to suggestions, advice and counsel.
PITCHING TO YOUR OWN AGENT:
You will find that you’ll often have
to pitch your new ideas to your own agent.
They want to know what you are working on and what ideas you have for
future work. This is done in a much more
relaxed atmosphere, with a good deal of give and take.
PITCHING TO A PRODUCER:
This kind of pitching involves all of the talent that you have as a
writer and a performer. You need to know
your material backwards and forwards.
You will need to show a great deal of self-confidence and yet be willing
to listen to their questions and ideas.
Your attitude is always “up”.
Show your enthusiasm for your project in a businesslike way.
Now go out there and have some fun
with your newly developed talent.
www.michelewallerstein110@vpweb.com
Sunday, April 12, 2015
Nine Years As a Consultant!
This month is my ninth year anniversary of being a script consultant. It's impossible not to look back and weigh my choices and decisions. I'm delighted to say that I chose well and have loved this new career. After spending so many years as an agent I couldn't imagine finding something else that I would want to do that would bring me fulfillment, joy, fun and a bit of money too. Being a consultant for writers has done all of that for me.
I've always loved to read and loved the movies. Having two great careers that encompassed those loves has been amazing. When I left my world as an agent I thought I was through. I was exhausted and saddened. A long rest was in my future. After a couple of years off there was a feeling of ennui. What was I accomplishing? What was my value to the world? How could I be of use again?
An old friend suggested that I become a novel and script consultant. It took me a few months of thinking and discussing this to come to my decision to give it a try. I called old friends who were so encouraging and pushed me forward. They helped me get started with their enthusiasm and advice. I will always be grateful to Michael Hauge, Linda Segar, Kathy Fong-Yoneda, and Mollie Gregory who believed that I could do anything I wanted to do and were happy to help me do it.
I learned that I still loved writers and that they needed me. My agency work was the background that was perfect to help them move forward and improve their work. I began getting speaking engagements at writers groups, film festivals and pitch fests. These have been so much fun and so fulfilling. I was asked to write articles for various online sites and realized that there was a book inside me that could continue to educate new writers. When I wrote MIND YOUR BUSINESS, it was a gamble. What a terrific experience and I'm happy to say that four (4) years later it is still selling like hot cakes!
Well, I'm now looking forward to my 10th year with as much enthusiasm and joy as ever.
Thanks to all of you for making my life so great.
web site: michelewallerstein110@vpweb.com
email: writerconsultant67@gmail.com
I've always loved to read and loved the movies. Having two great careers that encompassed those loves has been amazing. When I left my world as an agent I thought I was through. I was exhausted and saddened. A long rest was in my future. After a couple of years off there was a feeling of ennui. What was I accomplishing? What was my value to the world? How could I be of use again?
An old friend suggested that I become a novel and script consultant. It took me a few months of thinking and discussing this to come to my decision to give it a try. I called old friends who were so encouraging and pushed me forward. They helped me get started with their enthusiasm and advice. I will always be grateful to Michael Hauge, Linda Segar, Kathy Fong-Yoneda, and Mollie Gregory who believed that I could do anything I wanted to do and were happy to help me do it.
I learned that I still loved writers and that they needed me. My agency work was the background that was perfect to help them move forward and improve their work. I began getting speaking engagements at writers groups, film festivals and pitch fests. These have been so much fun and so fulfilling. I was asked to write articles for various online sites and realized that there was a book inside me that could continue to educate new writers. When I wrote MIND YOUR BUSINESS, it was a gamble. What a terrific experience and I'm happy to say that four (4) years later it is still selling like hot cakes!
Well, I'm now looking forward to my 10th year with as much enthusiasm and joy as ever.
Thanks to all of you for making my life so great.
web site: michelewallerstein110@vpweb.com
email: writerconsultant67@gmail.com
Thursday, April 2, 2015
HOW TO SELL YOUR SCRIPT TO HOLLYWOOD
NOW AVAILABLE ON DEMAND
(TAKE IT ANYTIME!)
If your current material isn't getting you representation, then you need this insider's tricks of the trade - now at a special price. Only $300 to have Michele be your guide on How To Sell Your Screenplay and move your career forward.
In this online class, Michele Wallerstein, author of Mind Your Business: A Hollywood Literary Agent's Guide to your Writing Career, and screenplay, novel and entertainment consultant as well as a veteran former Hollywood Literary agent, demystifies the ins and outs of the business of writing as well as how to get the most out of your material and your writing career. Whether you are an up-and-coming writer or a seasoned pro - get your career on track with this special On Demand price!
(TAKE IT ANYTIME!)
HOW TO SELL YOUR SCREENPLAY
taught by Michele Wallerstein
6-week online course
taught by Michele Wallerstein
6-week online course
If your current material isn't getting you representation, then you need this insider's tricks of the trade - now at a special price. Only $300 to have Michele be your guide on How To Sell Your Screenplay and move your career forward.
In this online class, Michele Wallerstein, author of Mind Your Business: A Hollywood Literary Agent's Guide to your Writing Career, and screenplay, novel and entertainment consultant as well as a veteran former Hollywood Literary agent, demystifies the ins and outs of the business of writing as well as how to get the most out of your material and your writing career. Whether you are an up-and-coming writer or a seasoned pro - get your career on track with this special On Demand price!
www.esefilmworkshopsonline.com to purchase and enroll.
email me if you have any questions:
| writerconsultant67@gmail.com |
Monday, March 23, 2015
HINTS FOR A SUCCESSFUL SPEC SCRIPT
You want to write for a living. You want to sell that screenplay. Here are some hints to help you further your goals:
1. You must write "spec" screenplays. Lots of them. Your first one will be awful. Your second one may be fair. Your third one might be OK and your fourth one may be good. Personally I still don't think that four is enough, but I know you will want to sell your first one.
2. You will need to know the difference between a spec script and a shooting script. You will be writing spec scripts if you are not being paid to write. That's the simple explanation, however there are lots of differences between the two. A spec is a sample of your writing as well as a script that you hope to sell. When you are paid and are writing on assignment it is also a sample of your work, but you will have other people who will give you input left and right.
3. When writing a spec script there are some very important keys that you must know. These things are not written in screenwriting books. They are the unwritten laws of the spec. First, you can't write lots of exposition. These are all of the descriptive passages wherein you tell the reader if it's raining, or what kind of dress a woman is wearing, or the architectural style of a building. It also covers whether the characters are standing or sitting, where they are looking, what hand movements they make or if they walk in or out of a door. Please stop putting all of this into your specs. It will drive an agent or producer crazy. They simply want to know if you can use a proper 3 act structure, have an interesting plot and most importantly if you can write interesting characters.
4. Stop directing your actors in you specs. Don't tell me what they think, feel, where they look, how they look, what expressions are on their faces, if they walk across a room, if they smile or frown. All of these decisions will be made by the real directors and actors based on the script's dialogue and story information. If you are lucky enough and talented enough to sell your script, it will be rewritten so many times that most of these things will be moot.
5. Don't crowd your script with too many characters. Ask yourself if introducing the parents or aunts and uncles of the main characters is truly important. If anyone doesn't move the story forward or help the star characters in some important fashion, then get rid of them.
6. Your stars must be on every page. OK, maybe they are not in one or two scenes, but no more then that. Everyone needs to know that Studio movies cast big stars so that they will at least be assured of a big opening weekend at the box office. Every star wants to be in every scene.
7. Stop writing flashbacks. Tell that information in dialogue if it is very important to the script. 8. Do not describe every punch in a fight scene.
9. Do not tell the music playing in the background. Do not write your own lyrics and put it in the script.
10. Do have your star grow and learn something about themselves.
Now, go back and edit those scripts then send them to me. See my web site at:
www.michelewallerstein110.vpweb.com
Friday, February 20, 2015
MOVIES EVERYWHERE AND NOTHING TO SEE
OK, here are some of the things I want to gripe about. I can't find movies to go see. I can't even find semi-old movies on my VCR to rent. 90% of the movies on HBO, SHOWTIME, CNMX, ENCORE, etc. are films I've already seen or won't even consider watching. I'm a grown up and the major studios couldn't care less. They just want those male teenagers. It's called having an audience that goes back and sees the same movie over and over with other friends. One of the things I'd like to know is where do those boys get all that money for movies, popcorn, candy and sodas. Thank goodness there are still a few good little independent films.
I hate all of these re-makes. I don't care if they were great films or just action junk. Why aren't the studios making more original films?? It is the death of the new idea and creativity. Film is an art and we should never forget it.
If you want to be a successful screenwriter, you better learn how to write mindless action pieces. I know I'm being a bit snarky but I miss going to a movie whenever I feel like it. I have to wait a long time before a good picture arrives on the scene. However, the truth is that right now if you are writing intimate relationship dramas or adult comedies, it ain't gonna sell. They might be good sample scripts so keep writing them and get very good at it.
Another thing I hate is "ghostwriting". I hate everything about it. I've even seen some consultants who offer to ghostwrite. I want to call the writing police and have them arrested. Your sample specs are YOURS. If anyone else writes it with you they must get credit on the title page, otherwise you are lying to the producer, agent and development person. I once had a partner who represented a famous writer who received lots of TV assignments. He would hire young writers, pay them a very small amount, read the drafts and put his own name on the project. He made a huge amount of money and I was furious when I found out. It was fraud.
In the wonderful movie, ROCKY, our hero talks with some kids on his block and warns them that "All you got is your rep". I agree with that statement. I believe that your word is your bond, a deal is a deal, and you never lie.
Thanks for letting me get these things out of my system. Take them to heart and become the smartest, best, most creative writing artist that you can be.
Come see my new web site: www.michelewallerstein110.vpweb.com
I hate all of these re-makes. I don't care if they were great films or just action junk. Why aren't the studios making more original films?? It is the death of the new idea and creativity. Film is an art and we should never forget it.
If you want to be a successful screenwriter, you better learn how to write mindless action pieces. I know I'm being a bit snarky but I miss going to a movie whenever I feel like it. I have to wait a long time before a good picture arrives on the scene. However, the truth is that right now if you are writing intimate relationship dramas or adult comedies, it ain't gonna sell. They might be good sample scripts so keep writing them and get very good at it.
Another thing I hate is "ghostwriting". I hate everything about it. I've even seen some consultants who offer to ghostwrite. I want to call the writing police and have them arrested. Your sample specs are YOURS. If anyone else writes it with you they must get credit on the title page, otherwise you are lying to the producer, agent and development person. I once had a partner who represented a famous writer who received lots of TV assignments. He would hire young writers, pay them a very small amount, read the drafts and put his own name on the project. He made a huge amount of money and I was furious when I found out. It was fraud.
In the wonderful movie, ROCKY, our hero talks with some kids on his block and warns them that "All you got is your rep". I agree with that statement. I believe that your word is your bond, a deal is a deal, and you never lie.
Thanks for letting me get these things out of my system. Take them to heart and become the smartest, best, most creative writing artist that you can be.
Come see my new web site: www.michelewallerstein110.vpweb.com
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